erster Hoehepunkt war das Konzert fuer Violoncello und Orchester
G-Dur von Luigi Boccherini mit der Solistin Katharina Paslawski.
In diesem liebenswuerdigen Werk sucht eine junge Kuenstlerin
nach dem Elan vital, dem natuerlichen Fluss, dem gehaltvollen
Pathos (2.Satz) und Charme dieser Musik. den Bogen fuehrt
sie mit einer Ebenmaessigkeit und Ruhe, die verblueffend ist.
Die Kadenzen hatten gewicht, Praegnanz und hoechste Perfektion.
Riesen-Applaus und Wiederholung des Adagios... Helmut
Kammerorchester Hannover. Stadthalle Deggendorf / Alemania.
Director Symphony Orchestra of Chile Carlos
Paslawski gave the great maestral blow when making debut like
soloists in Chile. It was the great central figure of the
Concert for Hoop and Orchestra of Edward Elgar, offering a
delivery whose excellence seemed to have itself very kept.
In absolute conjunction with an orchestra that Dourthé
handled plenary session in virtues, the Paslawski unfolded
all kindness that usually shows the famous ones and consecrated.
Opened they are to him, then, all our scenes to continue enjoying
the splendid art that Pole installed in Chile. By Mario
Debut with the Symphony Orchestra of
Director Orquesta Sinfónica de Chile Carlos
notable and significant Concert for Violonchelo and Orchestra
in E minor Op. 85 of Edward Elgar, (1857 - 1934) that followed
in the program, could not have found better interpreter than
Katarina Paslawski, whom touching of memory, it impresses
by his music and quality, beautiful, refining and great sound.
Of clear fraseos, precise joints and great expresividad, conquered
the public. In order to appreciate this work it is required
of a great interpreter, as it were it Paslawski. It is difficult
to forget his double cords, the use of the Staccatos, as well
as its security in the “Perpetual Movement”. But
nothing of the previous thing would have been obtained of
not counting on the direction accurate of Dourthé,
that with a total dominion of the work, we remember that it
also is Chelista, obtained a remarkable answer of the Orchestra,
that secundo to the solista in this dramatic one chose, to
moan way, that Elgar wrote when concluding World War I. Orchestra,
solista and director were fused in an exquisite version, that
will be remembered by long time. Remarkable concert, with
a solista and a director that deserve to be more often in
the scene, and which they received one long one, been thankful
and right ovación. Gilberto Ponce.